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    Machine Gunned 4
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    Crime House - Machine Gunned 4

    Clip Description

    MACHINE GUNNED 4

    CUSTOM VIDEO
    ***** kill, ***** being killed. ***** kill each other, POV shooting. Bodypiles

    Starring: Juliana, Annabelle, Pola, Nata, Kit, Anatoliy
    Fetish Elements:
    No-***** shooting, MANY AGONY, machinegunned reactions, short shorts, black gloves, military style. Toy guns, many deaths, POV shootings, ***** killing *****, body piles. No flash effects . bodypiles
    It’s shot-dead cocktail CUSTOM story with traditional black gloves and sexy situations with playing machinegunes.
    If you are unterested to see more machine gunned customs please go to CRIME HOUSE (DARK ROOMS) store and check them in SHOT-DEAD COCKTAIL category.

    Clip Duration:      20 minutes
    Format Size
    mp4481.2 MB

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    Additional Thumbnails

    Crime House - Machine Gunned 4

    Crime House - Machine Gunned 4

    Crime House - Machine Gunned 4

    Crime House - Machine Gunned 4

    Crime House - Machine Gunned 4

    Crime House - Machine Gunned 4
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    Customers who bought this Video also purchased:

    Machine Gunned 3 Both Parts - MACHINE GUNNED 3 Episode 1 and 2 with SALE! CUSTOM 56 minutes! 3 ***** Very many DEATHS!!! Starring: Angelina Juliana Hass Fetish Elements: No-***** shooting, MANY AGONY, machinegunned reactions, short shorts, black gloves, military style. Toy guns, many deaths, POV shootings, ***** killing *****, body piles. No flash effects . bodypiles It’s shot-dead cocktail CUSTOM story with traditional black gloves and sexy situations with playing machinegunnes.

    GHOST 4 - GHOST 4 2 SEXY GIRLS WERE STRANGLED BY INVISIBLE GHOST IN HORROR HOUSE! Great Gothic Erotic Horror Film in 1990-s horror-movies style! Fetish Elements: Boots, Leather, Strangulation, Choking, Gasping, Agony, Postmortem Agony, Death Stares Plot Two girls were invited to the party to the horror-house. They arrived first and had to spend all night together before their friends would come. Maya is afraid to stay on the house but her friend Yana thought it’s fun! But a ghost-strangled attacked them… IF YOU LIKE THIS MOVIE PLEASE ALSO CHECK GHOST 1-3!

    MACHINE GUNNED 6 Fill Clip - 1 hour! About 180 death scenes! 4 actresses! Spies, Gangsters & Soldiers - 3 girls in a series of sketches where they portray spies, gangsters, and army chicks. Spies: Scene 1 – Mary sneaks in to steal some papers. Guards Hass and Tora catch her and as she surrenders they have her face the wall and frisk her, then machine gun her. She slides down the wall onto the floor and her dead body twitches for several seconds before Hass riddles her some more. As Hass and Tora stand over the dead body, the cameraman mows both of them down and they fall into a body pile. Scene 2 – This time Mary makes a run for it and is machine gunned down by the guards. Her body twitches so Tora stands over her and riddles her over and over again (overkill). As she finishes, the cameraman mows her and Hass down who fall into a body pile on top of Mary. This time Hass and Tora's bodies twitch and so the cameraman has to blast them (and hits Mary's body too) again. Scene 3 – In this version, Mary fights back and shoots it out with Hass and Tora. Mary hits Hass but is then mowed down by Tora. Tora really blasts her so she goes down dead. Hass's body twitches a bit so Tora finishes her off. Tora drags Mary's body on top of Hass's, then riddles the bodies. As she does so, the cameraman mows her down (in the back) and she falls onto the body pile as the cameraman continues to fire, which makes all of the bodies shake. Scene 4 – Mary the spy is caught between the two guards, as they prepare to fire, she suddenly drops down and Hass and Tora accidentally machine gun each other. Both bodies twitch so Mary riddles them some more, one at a time. She blasts Hass so that her body rolls across the floor forming a pile with Tora. The cameraman mows down Mary who falls into the pile. Mary's body twitches a lot so the cameraman blasts her and the pile some more. Scene 5 – Mary again surrenders, so Hass and Tora have her face the wall. As Hass frisks Mary, Tora machine guns them both. It's important that they bounce around touching against each other much of the time. As they fall, Tora keeps shooting them. She finally stops just as the cameraman mows her down. Scene 6 – Mary is trapped by the guards and as they close in, she raises her gun and machine guns herself to death. The guards are surprised and a bit disappointed since they wanted to shoot her. Tora walks over and riddles Mary's body. Hass mows down Tora, who falls on top of Mary then riddles her body, also hitting Mary's dead body. The cameraman then mows down Hass who also falls on the body pile. Hass twitches quite a bit so the cameraman riddles the body, also hitting Tora and Mary's dead bodies. Scenes 7-12, same as above with girls switching parts, and Tora being the spy. Scenes 13-18, same as above with Hass being the spy. Scene 19 – All 3 girls are spies and get caught by the cameraman and shoot it out, all of them going down in a hail of bullets. The bodies twitch so the cameraman riddles them. Scene 20 – All 3 girls are spies and this time when caught, they surrender. The cameraman has them face the wall and then machine guns them in the back. They fall into a twitching heap, which the cameraman riddles some more. Mary's body still twitches a little bit so she is blasted one more time, but some of the bullets also hit the other bodies. Gangsters: Scene 1 – Hass and Tora are sitting playing cards when Mary comes in. They both stand and raise their hands but Mary mows them both down. Hass twitches so Mary shoots her some more. The cameraman then blasts Mary who falls across the bodies forming a pile. Cameraman riddles body pile. Scene 2 – Mary and Hass playing cards when Tora comes in. She makes them stand facing the wall, then executes them by machine gunning them in the back. They fall in a pile. Cameraman then mows down Tora. Mary's body twitches so the cameraman riddles the pile. Scene 3 – Tora and Mary are playing cards when Hass comes in. Without even standing, Mary goes for her gun and Hass mows her down. Distracted by mowing down Mary, Hass is then mowed down by Tora, falling on top of Mary. Tora is pretty happy at coming out alive, but then the cameraman mows her down and she falls on top of the pile. She twitches so the cameraman riddles the pile. Scene 4 – All girls a playing cards, when cameraman makes them face the wall and executes them, and the fall into a pile. They all twitch so she shoots them some more. Scene 5 – Mary machine guns Tora and is captured by Hass. Mary is taken to wall and is machine gunned (executed.) After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Hass. Scene 6 – Tora machine guns Hass and is captured by Mary. Tora is taken to wall and is machine gunned (executed). After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Mary. Scene 7 – Hass machine guns Mary and is captured by Tora. Hass is taken to wall and is machine gunned (executed). After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Tora. Scene 8 – All 3 girls are executed one after the other. The bodies falling to a pile. Mary gets it first, then Hass, and finally Tora gets it. The girls are brought in one at a time, mowed down, and the bodies left to pile together. Scene 9 – As Hass is getting machine gunned by the cameraman, Mary pushes Tora onto the line of fire, causing her to be machine gunned also. As she steps closer to get a better look at the shaking bodies, she gets too close and steps into the line of fire. All 3 girls shake and shudder as the fall into a body pile. Scene 10 – Mary is about to execute Tora when Hass bursts into the room and machine guns Mary. Although mortally wounded, as Mary starts to go down she manages to machine gun. Hass blasts Mary again and Mary dies falling into a heap on top of Hass. Her dead body convulses in death. Tora walks over and riddles the bodies, and is then machine gunned by the cameraman. Forearms - I'd like each scene to be one continuous take with no stops or edits. Scene 1 – Mary shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 2 - Tora shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 3 - Hass shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 4 – Tora machine guns Mary. She then takes off one glove and plays with Mary's arm hair. She puts the glove back on and is then machine gunned by Hass. Hass then takes off one glove and checks out Tora's arm hair. She puts her glove back on and is machine gunned by the cameraman. Scene 5 – Tora and Mary machine gun Hass. They then take off one glove and check out Hass's arm hair. They then check out each other's arms as well as their own arms. Next they put their gloves back on and promptly shoot each other to death. The camera gets a nice view of all of their arms. They twitch a little so the cameraman then riddles the bodies. Army: Scene 1 – All 3 girls attack the cameraman. The scene is viewed strictly from the cameraman's point of view. They hide, duck, crawl but eventually, one by one the girls are all mowed down. Scene 2-3 – Same as Scene 1, but with some variation. Scene 4 – Tora and Hass attack Mary. Hass goes down and Tora uses her body to block the bullets. As Mary shoots at Tora, the bullets hit Hass's body, which jerks to the impact. Eventually, Tora makes a break for it and manages to mow down Mary. The cameraman then mows down Tora. Scene 5 – Same with Hass and Mary attacking Tora. Scene 6 – Same with Mary and Tora attacking Hass. Scene 7 – All three girls are huddled together setting an ambush for the cameraman. But the cameraman is behind then and she sneaks up on them and machine guns them in the back. They fall into a body pile and twitch, somewhat excessively, so the cameraman riddles the pile. Scene 8 – Mary and Hass are walking towards the camera. Tora is a few steps behind them. Suddenly Tora opens fire mowing them both down. They shake and bounce together and fall in a pile. Tora stands over the pile and riddles it, but is then mowed down by the cameraman, falling into the pile herself. She twitches so the cameraman riddles the pile. Scene 9 – Same as above with Hass mowing down Tora and Mary. Scene 10 – Same as above with Mary mowing down Hass and Tora. Final Scene. All girls walk toward the camera, smile and say something nice and are then promptly mowed down by the cameraman. They twitch and are riddled some more. First is Hass, then Tora, and finally Mary. At the end they are in a body pile. Lots of lingering forearm close-ups before cameraman riddles the bodies. Requirements: • Gloves in every death scene • Everyone dies in every scene • Plenty of forearm closeups of both living and dead • Lots of shaking, pained expressions, and (moans, groans, grunts, aarrrgghhhh type stuff) • Obvious, sometimes excessive dead body twitching • Mix of eyes open/eyes closed death stares • Lots of in the back shooting • Lots of face down final positions • Legs and Bellies and Arms • Body piles

    DEATH SCENES - DEATH SCENES Starring: Nata and Hass Custom Clip 17 minutes 10 scenes 20 deaths Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses Stabbings and shootings! Catfightings to the death! GREAT ACTING NEW LEVEL OF SHOT DEAD COCTAILES FULL HD, Great CameraWork, Best DarkRoom traditions 100% death fetish clip! Scenes detailed descriptions: Scene 1. Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose. Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass. Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart. Scene 2. Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart. Hass is aiming and also gets shot in her lower belly. Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time). While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing. After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. Scene 3. Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly. She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo): Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down. The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background. Nata walks in and gets on her knees beside Hass. Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open. These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass: Nata is then shot in her lower belly, making her react, then she falls over top of Hass Scene 4. Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives. Then the girls fall to their knees, similar to these photos: Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart. Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward). When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata. Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture. One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread. The second photo is the death pose after falling back. Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass. Nata gets on one knee in a victory pose over top of Hass (see sample photo). Nata does not know Hass is still alive and has a knife. Hass surprises Nata with a stab to her lower belly, making her gasp. After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass. See sample photos for victory pose as well as death pose (body pile where their ass is still showing): Several camera angles are shown, showing good ass views and between their legs. Scene 5. Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo). Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down): Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds). Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down). Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass. Nata is then shot by off-screen, unseen enemy and she falls. Scene 6. Hass and B are standing near a couch (or bed). Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures). Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles: Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else. Both Hass and Nata are close together, but not covering each other. See these sample pictures for Nata, either one will work. Both girls should have a nice death stare. Scene 7. Nata is holding a knife and Hass walks in holding a gun. Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp. Nata is still holding the knife. Hass does not know Nata is still alive. Hass walks over and sits on Nata, similar to these pictures: Nata is still holding her knife, she wakes up without Hass knowing. Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose: When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata. Hass\\\'s ass still propped up into the air. After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos: To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some. Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose: Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures: Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread. After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). Scene 8. Both girls are on their knees holding knives. They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined. These photos show the action: Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart. Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart. Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed: When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp. Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs. Hass does not know that Nata is still alive. Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward. Hass does not know Nata is still holding a knife. Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass. Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed). Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs. After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata. Hass\\\'s ass in the air. Sample photos show facial reactions for Hass and her death pose on top of Nata. Scene 9. Hass is standing guard, her legs spread apart. Nata is holding a knife and sneaks up from behind. Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding. Other good camera angles are from the front, and also a profile view with the knife in her belly. Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan. Hass then slowly slides down to her knees, her legs spread apart. Nata then gets on her knees behind Hass. Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture: After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her. Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp. Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction. Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view. Then Nata slowly rolls Hass into a new death pose (sample pictures): Nata is turned on. She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart. Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs). Nata then pulls the knife out with a sexy moan. Nata is very turned on. She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass. Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch). Scene 10. Hass and B have knives and get locked together. Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart. Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs). They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her. Nata\\\'s legs are spread apart, one leg on the back of the couch. Sample pictures show pushing over couch, and up over couch arm while fighting with knives: Nata drops her knife, and Hass pushes over the couch arm. Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more. Hass pulls the knife out, making Nata moan. Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread. Nata twists, lifts her body up, lifts her legs as she writhes. Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up. Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up. Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed. Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose). Hass then puts one leg up on the couch into a victory pose (see sample picture). Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves. Hass falls forward over the couch cushion, her legs spread apart, her ass in the air. She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge. Hass is shot again in her lower belly, making her react, back curving over the cushion. She then turns over, her legs spread far apart, ass in the air. She wants to end it, so she grabs the knife on the couch cushion. With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air. Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass. IF YOU LIKE THIS CLIP PLEASE CHECK OUT SHORT SHORTS And check out 9 stabbing of Nata

    BANK ROBBERY - Starring: Nata, Annabelle, Luiza, Mary (Masha) Three very sexy headshots + neck snap +body carrying Office style Sexy Well acted One more shooting fetish detective in our great cinematic-fetish quality. THIS IS CLASSIC DEADSKIRT SHORT MOVIE! 4 Bank managers are surprised in the office by robber. He needs only money. If he gets it he will leave them alone. But he was late – central bank has just collected all the cash and moved it. The robber gets very angry and he is still searching for «his» money in the safe, but one of girls tried to call the police… He shot her to her hear. Very sexy and good acted headshot scene. Then he shoots to the head the blonde. The third girl cried: «Please don’t kill me! I have family!» But he shoots her to her head. He broke the neck of his 4nd victim. He tells rude words to the dead girls. Then he carries the dead body to the store for some fun… Nice fetish elements: Long headshot reactions, surprised faced, death stares (with opened eyes and with closed eyes) The slipper is out of dead feet Many legs, foot, faces view Office dresses Bare legs and legs in stockings Light location, 1970s bank-office atmosphere If you like this one please don’t miss FIREFIGHT, OFFICE KILLER, OFFICE SHOT DEAD COCKTAIL, SHOOTING IN THE OFFICE
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